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    <title>The Electro-Library - Episodes Tagged with “Medicine”</title>
    <link>https://electrolibrary.fireside.fm/tags/medicine</link>
    <pubDate>Fri, 07 Aug 2020 17:00:00 -0400</pubDate>
    <description>A literary and cultural anthology of cross-disciplinary creativity from the Stonehill College English Department and Creative Writing Program. A Stonehill Digital Lab production.
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    <itunes:subtitle>A cabinet of curiosities for your ears.</itunes:subtitle>
    <itunes:author>Editors of the Electro-Library</itunes:author>
    <itunes:summary>A literary and cultural anthology of cross-disciplinary creativity from the Stonehill College English Department and Creative Writing Program. A Stonehill Digital Lab production.
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  <title>Quarantine</title>
  <link>https://electrolibrary.fireside.fm/3-4</link>
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  <pubDate>Fri, 07 Aug 2020 17:00:00 -0400</pubDate>
  <author>Editors of the Electro-Library</author>
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  <itunes:season>3</itunes:season>
  <itunes:author>Editors of the Electro-Library</itunes:author>
  <itunes:subtitle>Perspectives on the experience of quarantine across cultures and historical periods. Guest: Maira Kalman.</itunes:subtitle>
  <itunes:duration>49:54</itunes:duration>
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  <description>&lt;p&gt;00:47 D.A. Powell, "Quarantine," read by Sutopa Dasgupta&lt;br&gt;
Music: Abishai, Piano Improvisation, from &lt;em&gt;Memento Mori&lt;/em&gt;  &lt;/p&gt;

&lt;p&gt;02:26 Don DeLillo, from &lt;em&gt;White Noise&lt;/em&gt;, read by David Charlesworth&lt;br&gt;
Music: Chad Crouch, "Seafoam," from &lt;em&gt;Atmospheric Piano&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;Interlude: James Bohm, "Music for Handwashing (Out Damned Spot 2)&lt;/p&gt;

&lt;p&gt;07:11 Clarice Lispector, from "Letters to Hermengardo," read by Richard Colton&lt;br&gt;
Music: Reiko Yamada, &lt;/p&gt;

&lt;p&gt;Interlude: James Bohm, "Music for Handwashing (Out Damned Spot 1)&lt;/p&gt;

&lt;p&gt;10:33 Excerpts from the Diaries of Franz Kafka, read by Jared Green&lt;br&gt;
Music: Pauline Oliveros, Miya Masaoka, "Afternoon - Hirusugi," from &lt;em&gt;Accordion Koto&lt;/em&gt; &lt;/p&gt;

&lt;p&gt;13:40 from &lt;em&gt;Road to Heaven: Encounters with Chinese Hermits&lt;/em&gt;, by Bill Porter, read by Prof. Karen Teoh&lt;br&gt;
Music: Olga Scotland, "Two Flutes," from &lt;em&gt;Iron Flowers from Sirius&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;Interlude: James Bohm, "Music for Handwashing (Out Damned Spot 1)&lt;/p&gt;

&lt;p&gt;19:05 John Keats, "To Mrs. Brawne, October 24th, 1820, Naples Harbour," read by Prof. Matthew Borushko&lt;br&gt;
Music: Cellophane Sam, "The Turnaround Road," from &lt;em&gt;Sea Change&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;22:59 Abigail Donovan, from &lt;em&gt;Tar Paper no. 3&lt;/em&gt;, read by Abigail Donovan.&lt;br&gt;
Music: Meydän, "Away," from &lt;em&gt;Ambient&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;Interlude: James Bohm, "Music for Handwashing (Out Damned Spot 1)&lt;/p&gt;

&lt;p&gt;31:22 Carlos José Perez Sámano, "Evening at Home," read by Carlos José Perez Sámano&lt;br&gt;
Music: Monplaisir, "Basse 1," from &lt;em&gt;Sous Tensions&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;Interlude: excerpt from &lt;em&gt;Care of the Skin&lt;/em&gt;, Encyclopedia Britannica Films (Public Domain)&lt;/p&gt;

&lt;p&gt;Interlude: James Bohm, "Music for Handwashing (Out Damned Spot 1)&lt;/p&gt;

&lt;p&gt;34:40 Maira Kalman, interview&lt;br&gt;
Music: Blue Dot Sessions, "The Poplar Grove," from &lt;em&gt;Bitters&lt;/em&gt; &lt;/p&gt;

&lt;p&gt;Outro Music: Neil Diamond, "Sweet Caroline" (COVID-19 PSA): &lt;a href="https://www.youtube.com/watch?v=qxnETrhOIAE" target="_blank" rel="nofollow noopener"&gt;https://www.youtube.com/watch?v=qxnETrhOIAE&lt;/a&gt; &lt;/p&gt;

&lt;p&gt;-Theme music: "Ecstasy in Umbra," by Tubifex (feat. Hitek Mesh@t), courtesy of Stable Genius Records&lt;br&gt;
-"Memento Mori" by Abishai is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.&lt;br&gt;
-"Atmospheric Piano" by Chad Crouch is licensed under a Attribution-NonCommercial 3.0 International License.&lt;br&gt;
-“Music for a 1912 Broken German Accordion.” Composed and performed by Reiko Yamada. Original recording courtesy of Richard Colton.&lt;br&gt;
-Two Flutes by Olga Scotland is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.&lt;br&gt;
-"The Turnaround Road" by Cellophane Sam is licensed under a Attribution-Noncommercial 3.0 United States License.&lt;br&gt;
-&lt;em&gt;Ambient&lt;/em&gt; by Meydän is licensed under an Attribution License.&lt;br&gt;
-"Music for Handwashing" Composed and performed by James Bohm. Original recording courtesy of James Bohm.&lt;br&gt;
-&lt;em&gt;Sous Tensions Original Soundtrack&lt;/em&gt; by Monplaisir is licensed under a CC0 1.0 Universal License.&lt;br&gt;
-"The Poplar Grove" by Blue Dot Sessions is licensed under a Attribution-NonCommercial License.&lt;/p&gt;
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  <itunes:keywords>Quarantine,Epidemic,COVID-19</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>00:47 D.A. Powell, &quot;Quarantine,&quot; read by Sutopa Dasgupta<br>
Music: Abishai, Piano Improvisation, from <em>Memento Mori</em>  </p>

<p>02:26 Don DeLillo, from <em>White Noise</em>, read by David Charlesworth<br>
Music: Chad Crouch, &quot;Seafoam,&quot; from <em>Atmospheric Piano</em></p>

<p>Interlude: James Bohm, &quot;Music for Handwashing (Out Damned Spot 2)</p>

<p>07:11 Clarice Lispector, from &quot;Letters to Hermengardo,&quot; read by Richard Colton<br>
Music: Reiko Yamada, </p>

<p>Interlude: James Bohm, &quot;Music for Handwashing (Out Damned Spot 1)</p>

<p>10:33 Excerpts from the Diaries of Franz Kafka, read by Jared Green<br>
Music: Pauline Oliveros, Miya Masaoka, &quot;Afternoon - Hirusugi,&quot; from <em>Accordion Koto</em> </p>

<p>13:40 from <em>Road to Heaven: Encounters with Chinese Hermits</em>, by Bill Porter, read by Prof. Karen Teoh<br>
Music: Olga Scotland, &quot;Two Flutes,&quot; from <em>Iron Flowers from Sirius</em></p>

<p>Interlude: James Bohm, &quot;Music for Handwashing (Out Damned Spot 1)</p>

<p>19:05 John Keats, &quot;To Mrs. Brawne, October 24th, 1820, Naples Harbour,&quot; read by Prof. Matthew Borushko<br>
Music: Cellophane Sam, &quot;The Turnaround Road,&quot; from <em>Sea Change</em></p>

<p>22:59 Abigail Donovan, from <em>Tar Paper no. 3</em>, read by Abigail Donovan.<br>
Music: Meydän, &quot;Away,&quot; from <em>Ambient</em></p>

<p>Interlude: James Bohm, &quot;Music for Handwashing (Out Damned Spot 1)</p>

<p>31:22 Carlos José Perez Sámano, &quot;Evening at Home,&quot; read by Carlos José Perez Sámano<br>
Music: Monplaisir, &quot;Basse 1,&quot; from <em>Sous Tensions</em></p>

<p>Interlude: excerpt from <em>Care of the Skin</em>, Encyclopedia Britannica Films (Public Domain)</p>

<p>Interlude: James Bohm, &quot;Music for Handwashing (Out Damned Spot 1)</p>

<p>34:40 Maira Kalman, interview<br>
Music: Blue Dot Sessions, &quot;The Poplar Grove,&quot; from <em>Bitters</em> </p>

<p>Outro Music: Neil Diamond, &quot;Sweet Caroline&quot; (COVID-19 PSA): <a href="https://www.youtube.com/watch?v=qxnETrhOIAE" rel="nofollow">https://www.youtube.com/watch?v=qxnETrhOIAE</a> </p>

<p>-Theme music: &quot;Ecstasy in Umbra,&quot; by Tubifex (feat. Hitek Mesh@t), courtesy of Stable Genius Records<br>
-&quot;Memento Mori&quot; by Abishai is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.<br>
-&quot;Atmospheric Piano&quot; by Chad Crouch is licensed under a Attribution-NonCommercial 3.0 International License.<br>
-“Music for a 1912 Broken German Accordion.” Composed and performed by Reiko Yamada. Original recording courtesy of Richard Colton.<br>
-Two Flutes by Olga Scotland is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.<br>
-&quot;The Turnaround Road&quot; by Cellophane Sam is licensed under a Attribution-Noncommercial 3.0 United States License.<br>
-<em>Ambient</em> by Meydän is licensed under an Attribution License.<br>
-&quot;Music for Handwashing&quot; Composed and performed by James Bohm. Original recording courtesy of James Bohm.<br>
-<em>Sous Tensions Original Soundtrack</em> by Monplaisir is licensed under a CC0 1.0 Universal License.<br>
-&quot;The Poplar Grove&quot; by Blue Dot Sessions is licensed under a Attribution-NonCommercial License.</p>]]>
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  <itunes:summary>
    <![CDATA[<p>00:47 D.A. Powell, &quot;Quarantine,&quot; read by Sutopa Dasgupta<br>
Music: Abishai, Piano Improvisation, from <em>Memento Mori</em>  </p>

<p>02:26 Don DeLillo, from <em>White Noise</em>, read by David Charlesworth<br>
Music: Chad Crouch, &quot;Seafoam,&quot; from <em>Atmospheric Piano</em></p>

<p>Interlude: James Bohm, &quot;Music for Handwashing (Out Damned Spot 2)</p>

<p>07:11 Clarice Lispector, from &quot;Letters to Hermengardo,&quot; read by Richard Colton<br>
Music: Reiko Yamada, </p>

<p>Interlude: James Bohm, &quot;Music for Handwashing (Out Damned Spot 1)</p>

<p>10:33 Excerpts from the Diaries of Franz Kafka, read by Jared Green<br>
Music: Pauline Oliveros, Miya Masaoka, &quot;Afternoon - Hirusugi,&quot; from <em>Accordion Koto</em> </p>

<p>13:40 from <em>Road to Heaven: Encounters with Chinese Hermits</em>, by Bill Porter, read by Prof. Karen Teoh<br>
Music: Olga Scotland, &quot;Two Flutes,&quot; from <em>Iron Flowers from Sirius</em></p>

<p>Interlude: James Bohm, &quot;Music for Handwashing (Out Damned Spot 1)</p>

<p>19:05 John Keats, &quot;To Mrs. Brawne, October 24th, 1820, Naples Harbour,&quot; read by Prof. Matthew Borushko<br>
Music: Cellophane Sam, &quot;The Turnaround Road,&quot; from <em>Sea Change</em></p>

<p>22:59 Abigail Donovan, from <em>Tar Paper no. 3</em>, read by Abigail Donovan.<br>
Music: Meydän, &quot;Away,&quot; from <em>Ambient</em></p>

<p>Interlude: James Bohm, &quot;Music for Handwashing (Out Damned Spot 1)</p>

<p>31:22 Carlos José Perez Sámano, &quot;Evening at Home,&quot; read by Carlos José Perez Sámano<br>
Music: Monplaisir, &quot;Basse 1,&quot; from <em>Sous Tensions</em></p>

<p>Interlude: excerpt from <em>Care of the Skin</em>, Encyclopedia Britannica Films (Public Domain)</p>

<p>Interlude: James Bohm, &quot;Music for Handwashing (Out Damned Spot 1)</p>

<p>34:40 Maira Kalman, interview<br>
Music: Blue Dot Sessions, &quot;The Poplar Grove,&quot; from <em>Bitters</em> </p>

<p>Outro Music: Neil Diamond, &quot;Sweet Caroline&quot; (COVID-19 PSA): <a href="https://www.youtube.com/watch?v=qxnETrhOIAE" rel="nofollow">https://www.youtube.com/watch?v=qxnETrhOIAE</a> </p>

<p>-Theme music: &quot;Ecstasy in Umbra,&quot; by Tubifex (feat. Hitek Mesh@t), courtesy of Stable Genius Records<br>
-&quot;Memento Mori&quot; by Abishai is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.<br>
-&quot;Atmospheric Piano&quot; by Chad Crouch is licensed under a Attribution-NonCommercial 3.0 International License.<br>
-“Music for a 1912 Broken German Accordion.” Composed and performed by Reiko Yamada. Original recording courtesy of Richard Colton.<br>
-Two Flutes by Olga Scotland is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.<br>
-&quot;The Turnaround Road&quot; by Cellophane Sam is licensed under a Attribution-Noncommercial 3.0 United States License.<br>
-<em>Ambient</em> by Meydän is licensed under an Attribution License.<br>
-&quot;Music for Handwashing&quot; Composed and performed by James Bohm. Original recording courtesy of James Bohm.<br>
-<em>Sous Tensions Original Soundtrack</em> by Monplaisir is licensed under a CC0 1.0 Universal License.<br>
-&quot;The Poplar Grove&quot; by Blue Dot Sessions is licensed under a Attribution-NonCommercial License.</p>]]>
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